• Vol. 01: Time
  • Interviews
  • Articles
  • Book Reviews
  • Videos
  • Shop
  • Stockists
  • Open Call
  • Submit
  • Contact
  • About
  • Write for us
  • Instagram
  • Facebook
  • Youtube
  • Terms and Conditions
  • Privacy policy
Pellicola Magazine
Pellicola Magazine
  • Interviews
  • Articles
  • Book Reviews
  • Videos
  • Vol. 01: Time
  • Stockists
0
  • Interview

Interview with Vicente Manssur

  • 25/09/2018
  • 3 minute read

Vicente Manssur


Q: Hi Vicente, welcome to Pellicola. Tell us something about your life and yourself.
My name is Vicente Manssur, I’m 30 years old and I live in Guayaquil, Ecuador. I work as a freelance photographer and as a graphic designer.

Q: Tell us how you discovered photography. Do you remember when and why did you start taking pictures?
About five years ago on a trip to Chile. I needed a camera for the trip so I bought a used Nikon D3000. I was obsessed with deserted landscapes and night sky, which is why I went to Chile in the first place. I came back with a lot of bad pictures but tremendously happy about the experience of making them. I can remember the feeling of finding something. I was shooting landscapes, but it started changing as I got more into photography. I became interested in the history of street photography because of the work of Alex Webb and Harry Gruyaert, just to name a few. Those photographs changed what I wanted to do and led me to a different type of photographers and themes.

Q: Your style is quite heterogeneous. What do you look for when you shoot?
I think it’s an intuitive process, it could be anything that I’m attracted to in that moment. Colors, light, people and shadows building a scene that suddenly works. I feel attracted to daily life, people on the street and everyday scenarios with a cinematic feel.

Q: Exploring your website there is street-photography, portraits, new-topographics and so on. What style is the most challenging for you? And why?
I can say that street photography is the most challenging and most exciting theme to shoot. It’s unpredictable, you can’t control anything or know in advance what you’ll find. You just go out with a certain idea of what you are doing, hoping to find something and be lucky enough to get it before it fades away. It’s pretty exciting, it’s like playing a game. Most of the time you’ll get nothing, but when you do…

Q: What keeps you inspired?
Inspiration and motivation comes from films, photo books and music. Getting out of the city is also a good way to see other stuff and come up with new ideas. Also, other photographer’s work keep me inspired to work and try different approaches.

Q: What gear do you use now?
I’m using a Nikon FE2 with a 35mm lens and a Nikon D810.

Q: What do you recommend to people who approach photography for the first time?
Find a camera that you like and feel comfortable with. Go out often and take pictures of whatever catches your eye. Consume photography through books, documentaries, videos or social media etc. Look for photographers from before your time and immerse into their work. You have to be really eager and curious about photography.

Q: If you could meet a great photographer who will he/she be?
Bruce Davidson and William Eggleston.

Q: Do you have any upcoming projects?
Right now I’m working in a photo zine, which is called “El Gran Escape”. I’m also working on a couple of series about my city (Guayaquil) and a small exhibition which will take place in December. The exhibition is about people and places in Ecuador. We’ll be showing portraits and landscapes taken at the beach and in the city.

Q: Suggest us a film or an album.
A film: Raising Arizona
An album: Sticky Fingers by The Rolling Stones

visualmemories - Jomayra Texeira
Vicente Manssur
Vicente Manssur
Vicente Manssur
Vicente Manssur
Vicente Manssur
Vicente Manssur
Vicente Manssur
Vicente Manssur
Vicente Manssur
Vicente Manssur

All images © Vicente Manssur

Share 0
Tweet 0
Pin it 14
Previous Article
Leonardo Magrelli
  • Article

Norway by Leonardo Magrelli

  • 19/09/2018
read more
Next Article
Emmanuel Monzon
  • Article

Emmanuel Monzon: Urban Sprawl

  • 04/10/2018
read more
You May Also Like
read more
  • Interview

Urban Oracles and Playful Mythologies of Máté Bartha

  • Erika Giulietti
  • 02/10/2026
read more
  • Interview

A photograph turns a body into somebody: Xaver Könneker’s research on smiling and forensic odontology

  • Giulia Del Gobbo
  • 04/03/2026
read more
  • Interview

Towards Motherhood: Interview with Valentine de Villemeur

  • Pellicola Magazine
  • 11/02/2026
Olga Sokal - Black Stone Burns
read more
  • Interview

Olga Sokal rewrites the narrative of coal as a global metaphor for suffering and shattered dreams

  • Claudia Bigongiari
  • 28/01/2026
Federico Possati - Almanac of Forgotten Memories
read more
  • Interview

Collecting echoes in time: Federico Possati’s years through pictures

  • Erika Giulietti
  • 11/12/2025
VYTAUTAS KUMŽA “Beginning or the end”
read more
  • Interview

How much do we trust images? On the handcrafted photographs of Vytautas Kumža

  • Giulia Del Gobbo
  • 03/07/2025
read more
  • Interview

The hand-made visions of Diego Brambilla on the edge of reality 

  • Claudia Bigongiari
  • 09/06/2025
Carlotta Valente - The Mimetic Observer
read more
  • Interview

The Mimetic Observer: Carlotta Valente and ICCD interpret Dante’s visionary journey through historical photographic processes 

  • Claudia Bigongiari
  • 30/05/2025

Subscribe now to our newsletter

  • Instagram
  • Facebook
  • Youtube
  • About us
  • Contact
  • Submit
  • Write for us
  • Stockists
  • Privacy policy
  • Terms and Conditions
  • Cookie Policy (EU)

Input your search keywords and press Enter.

Manage Cookie Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
  • Manage options
  • Manage services
  • Manage {vendor_count} vendors
  • Read more about these purposes
View preferences
  • {title}
  • {title}
  • {title}