• Vol. 01: Time
  • Interviews
  • Articles
  • Book Reviews
  • Videos
  • Shop
  • Stockists
  • Open Call
  • Submit
  • Contact
  • About
  • Write for us
  • Instagram
  • Facebook
  • Youtube
  • Terms and Conditions
  • Privacy policy
Pellicola Magazine
Pellicola Magazine
  • Interviews
  • Articles
  • Book Reviews
  • Videos
  • Vol. 01: Time
  • Stockists
0
  • Interview

Interview with Farhad Ghaderi

  • 22/11/2017
  • 3 minute read

Farhad Ghaderi


Q: Tell us something about your life and yourself. 

I’m a 22-year-old Mexican-Iranian cinematographer living and working in Vancouver and every so often in Mexico City. I enjoy drinking copious amounts of orange juice, watching films, cuddling my fat cat Benito and mostly, spending time with the people I love.

Q: When and why did you start taking pictures? 
I started taking pictures when I was a depressed 15 year old kid living alone in a small city in France. My father mailed me a small point and shoot camera with a little note that said: “stay busy”. And that’s what I did, just snapped pictures of literally everything I could, and that got me out of of that depression, and sparked an ongoing curiosity for life through a lens.

Q: In your opinion, what does make a great photo?

Such a hard question! There’s so many types of photography that sparks different kinds of emotions and all sorts of things…and I enjoy them all! But in terms of my own photos, or the ones I “consume” most often, I’d say they have to capture the essence of a fleeting moment with incredible intimacy and emotion. Emotion is the key, a photo that makes you really feel something.

Q: How do you choose your subjects?
When I first started I’d only photograph strangers in the street, but then I switched to a different style and I’d only photograph my friends because I didn’t dare to ask anyone else haha. With time I’ve realized the best photos I take are of people and things I have an emotional connection with. I don’t know how, but those feelings tend to translate into people’s work.  

Currently trying to take that into shooting with professional models.

Q: Do you believe that every artist shows a part of his own personality and character in his photographs? What do you want to show in yours? 
I don’t think it’s necessary or that every artist does. But that’s actually something I’m really interested in! in the separation of the artist and her/his work.  Anyways, I think I strive to show (not often successfully) an admiration for fragile things and honesty and intimacy between spaces and people, as well as awe to the environment that surrounds us!

Q: Why are you still shooting film? What is your favourite setup camera/lens/film?
I shoot film because I it forces me to pay more attention to what’s surrounding me, to actually connect with the subject matter. Besides, there’s that nostalgic feeling to its aesthetic, including the texture of it that I love. It makes it tangible, it reminds you that those things actually happened.

Q: If you could meet a great photographer who will be he or she? 
Ohhhh so many!! haha I’d love to meet Sebastiao Salgado or Sally Mann…

Q: What are your projects for the future? 
Well, I’m trying to focus mainly on my cinematography career. I’m shooting a few short films in the near future, but I’d love to do more experimental work on 16mm film and of course, shoot a feature film!

Q: Suggest us a film or an album. 
Mommy, Xavier Dolan  Vanilla Sky, Cameron Crowe

Farhad Ghaderi
Farhad Ghaderi
Farhad Ghaderi
Farhad Ghaderi
Farhad Ghaderi
Farhad Ghaderi
Farhad Ghaderi
Farhad Ghaderi
Farhad Ghaderi
Farhad Ghaderi

All images © Farhad Ghaderi

Share 0
Tweet 0
Pin it 20
Previous Article
Dan Landoni
  • Article

Dan Landoni On Connection and Shooting Cinematic Stills on XPan

  • 14/11/2017
read more
Next Article
Giulia Fassina
  • Article

Giulia Fassina: A Greyhound Bus Trip

  • 29/11/2017
read more
You May Also Like
read more
  • Interview

Urban Oracles and Playful Mythologies of Máté Bartha

  • Erika Giulietti
  • 02/10/2026
read more
  • Interview

A photograph turns a body into somebody: Xaver Könneker’s research on smiling and forensic odontology

  • Giulia Del Gobbo
  • 04/03/2026
read more
  • Interview

Towards Motherhood: Interview with Valentine de Villemeur

  • Pellicola Magazine
  • 11/02/2026
Olga Sokal - Black Stone Burns
read more
  • Interview

Olga Sokal rewrites the narrative of coal as a global metaphor for suffering and shattered dreams

  • Claudia Bigongiari
  • 28/01/2026
Federico Possati - Almanac of Forgotten Memories
read more
  • Interview

Collecting echoes in time: Federico Possati’s years through pictures

  • Erika Giulietti
  • 11/12/2025
VYTAUTAS KUMŽA “Beginning or the end”
read more
  • Interview

How much do we trust images? On the handcrafted photographs of Vytautas Kumža

  • Giulia Del Gobbo
  • 03/07/2025
read more
  • Interview

The hand-made visions of Diego Brambilla on the edge of reality 

  • Claudia Bigongiari
  • 09/06/2025
Carlotta Valente - The Mimetic Observer
read more
  • Interview

The Mimetic Observer: Carlotta Valente and ICCD interpret Dante’s visionary journey through historical photographic processes 

  • Claudia Bigongiari
  • 30/05/2025

Subscribe now to our newsletter

  • Instagram
  • Facebook
  • Youtube
  • About us
  • Contact
  • Submit
  • Write for us
  • Stockists
  • Privacy policy
  • Terms and Conditions
  • Cookie Policy (EU)

Input your search keywords and press Enter.

Manage Cookie Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
  • Manage options
  • Manage services
  • Manage {vendor_count} vendors
  • Read more about these purposes
View preferences
  • {title}
  • {title}
  • {title}