• Vol. 01: Time
  • Interviews
  • Articles
  • Book Reviews
  • Videos
  • Shop
  • Stockists
  • Open Call
  • Submit
  • Contact
  • About
  • Write for us
  • Instagram
  • Facebook
  • Youtube
  • Terms and Conditions
  • Privacy policy
Pellicola Magazine
Pellicola Magazine
  • Interviews
  • Articles
  • Book Reviews
  • Videos
  • Vol. 01: Time
  • Stockists
0
  • Article

Southern Utah by Alex Rothmeier

  • 05/04/2019
  • 3 minute read

Alex Rothmeier

For a week between jobs in late January this year I took a road trip alone through Southern Utah and Northern Arizona. I had never been to this area, so I was excited to explore the varied types of desert, and I opted for some of the less frequented parks and lands in hopes of seeing something unexpected and inspiring. I flew into Las Vegas and saw the Hoover Dam, and then drove out to intersection of Grand Staircase-Escalante National Monument, Lake Powell, and Glen Canyon National Recreational Area, spending two days there. From there I spent one day in Monument Valley, then two days at the intersection the BLM land of Factory Butte and Capitol Reef National Park. From there I spent two days in Bryce Canyon National Park. Given the number of places I was going and the amount of time I had in each, there was never enough time. I tried to go on three to four hikes per day. One at sunrise, one or two during the day to scout locations, and then one at sunset. It felt like I could have spent a week in each place, and will definitely need to do this trip again. I had my Pentax 67 and one lens, the SMC 55mm100mm f/4.5. I only shot with Kodak Portra 400. My goal for the trip was to slow down and experience new places through the camera. I needed a break from work and wanted this to consume my attention entirely. I had places to go, but I hadn’t been to any of them before, and no real shots in mind. The process of trying to see a place with my eyes as a camera, then framing a scene in the actual lens, and repeating until I found something I liked, is a unique way to interact with nature. Especially with the limited number of shots given I was using film, this process forces me to slow down and see a place for things both big and small and to abstract it to colors and lines and then reassemble it. The desert may seem like a simple empty place, but it is full of endless combinations of compositions, colors, and textures. It was a new experience for me to be completely alone for a week, in new places, with only photography to think about. It was exciting, all consuming, lonely, intense, free, challenging. I wanted to take photos that did these places justice, and did my experience of them justice, and it was fun to put that burden on myself. My favorite part by far was the Factory Butte region. I stayed at a motel in Caineville, Utah that was 20 miles from the nearest town, Hanksville, which had one restaurant in a gas station. I was the only person staying in the motel. The motel was perfectly situated between Factory Butte and Capitol Reef National Park, and it had the best access to Cathedral Valley. The isolation coupled with the severeness of the landscape (and a few well placed carcasses) made the area feel almost evil. The buttes seemed to rise out of the nothingness of the desert and then disappear again, as if giant waves looming over you. They are at once erupting into the sky, and at the same time crashing all around you. They are reaching out to you, and at the same time sucking you in. You know a place is special when inanimate objects can feel so intense. I could have spent weeks in this area alone, I would highly highly recommend going there if you are in the region and staying at the Rodeway Inn Capitol Reef motel. As much as I might try to capture the essence of the area, it is impossible to fit its true vastness into a frame. It must be experienced.

Alex Rothmeier
Alex Rothmeier
Alex Rothmeier
Alex Rothmeier
Alex Rothmeier
Alex Rothmeier
Alex Rothmeier
Alex Rothmeier
Alex Rothmeier

All images © Alex Rothmeier
Text by Alex Rothmeier

Share 0
Tweet 0
Pin it 9
Previous Article
Maddy Minnis
  • Article

New Mexico by Maddy Minnis

  • 25/03/2019
read more
Next Article
Casey Bennett
  • Interview

Interview with Casey Bennett

  • 15/04/2019
read more
You May Also Like
read more
  • Article

Two spaces, two times: the photographic excavations of Marie Hervé and Elsa Martinez

  • Sara Poli
  • 15/07/2026
read more
  • Article

Un Giardino Segreto: dreaming of (and demanding) the right to housing with Chiara Pirra

  • Manuel Beinat
  • 02/07/2026
read more
  • Article

‘Dear me in five years, do you have fun with yourself?’ On Karla Hiraldo Voleau’s transformative rituals

  • Giulia Del Gobbo
  • 17/06/2026
read more
  • Article

I Have Done Nothing Wrong – Mika Sperling and the politicization of grief

  • Manuel Beinat
  • 18/03/2026
Daan Paans - Floating Signifiers
read more
  • Article

Images that flow: Daan Paans and the metamorphosis of visual memory

  • Pellicola Magazine
  • 21/01/2026
we(dot)art
read more
  • Article

WeDirectory: A Creative Ecosystem for the Digital Age

  • Pellicola Magazine
  • 27/11/2025
Giuseppe Miccichè - No ponte
read more
  • Article

No Ponte – Giuseppe Micciché and the bridge that doesn’t exist

  • Manuel Beinat
  • 19/11/2025
Chiara Fossati - Comete
read more
  • Article

Comete: meeting Italian adolescence with Chiara Fossati

  • Nicholas Behrens
  • 17/07/2025

Subscribe now to our newsletter

  • Instagram
  • Facebook
  • Youtube
  • About us
  • Contact
  • Submit
  • Write for us
  • Stockists
  • Privacy policy
  • Terms and Conditions
  • Cookie Policy (EU)

Input your search keywords and press Enter.

Manage Cookie Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
  • Manage options
  • Manage services
  • Manage {vendor_count} vendors
  • Read more about these purposes
View preferences
  • {title}
  • {title}
  • {title}